Two little girls


Two little girls went out for a walk
in the chilly autumn air,
and they gathered handfuls of leaves as they talked,
and the leaves were as gold as their hair.
They followed the path that cut through the park
and wound with a slow little creek.
They never minded the frost on the bark
or the cold wind that bit at their cheeks.
They fed the ducks leaves from the withering trees,
but the ducks didn’t seem to care
I said with a sigh that ducks didn’t eat leaves,
but the girls only wanted to share.

Seasons

I measure myself in lines of poetry,
and some seasons I don’t amount to much.
If poems were leaves and I a tree,
I’d be a sorry, patchy thing,
full of bursting, sun-bleached buds
with a dry pile ready for the fire at my feet.
And a passer-by might ask himself
(or another with whom he wandered the yard)
if this blasted thing were a tree at all
or something only trying to be;
and should they cut me down and count my rings
they’d find me older than some sprouting trees
that blossom always in the early spring—
but though my rings be many and my leaves be few,
I mean to see this winter through.

Punks

We raced from porches to hedges,
dodging headlights as we ran,
laden with paper-filled packs,
and on the lookout for glowing doorbells.
Or sometimes we just wandered,
treading familiar paths
made mysterious now in damp darkness
and lit sporadically by the fading stars
and the neon promise of Main Street.
Yellow sentinels on the corners
were the spotlights of our fantasies
and the guard towers of our prisons.
Our future seemed brighter
when our other concerns had gone to bed.
Our music was the rhythm
to which we lived our lives and
a curfew was a challenge that we answered
with white unraveling spools of angst.

Swing Set – (as published in Southern Quill)

It’s a brisk morning,
the kind that only comes on the cusp of spring
where the sun is high and warm and
burns the frost off the greening grass
but hasn’t yet burned it from the air.
“It’s cold,” I tell her as I go out.
She pushes hard on the screen door
and steps barefoot onto the concrete,
holding her arms up toward me
and trying to dance away the cold.
She’s still in her shrinking, mismatched PJs.
There’s a hole in her left pant leg.
“Get me get me!”
I pick her up and carry her with me to the shed,
showing her how the latch on the fence works,
letting her open it when we come back through.
“Daddy, what dat?”
She points at the swing set.
We found it on a yard sale page,
dog-chewed and sun-stained
and free.
I scavenged and swapped out parts for her,
but winter hasn’t let her play on it yet.
“That’s your new swing set. Wanna try it out?”
“Yeah!”
I put her on the see-saw.
“Hold on tight, sweetheart.”
I push her as the wind blows.
The sunlight bleaches her hair,
and her laughter mingles with the bird songs.
Tomorrow is the Equinox, but
for me it’s spring already.

Words

When I’m cold, dissected, studied, 
and filed away with the other meat 
laid out for the coroner to greet
I wonder what will be left of me,
the man who breathed and loved and dreamed;
who wandered the world so solemnly,
and clung to life so desperately.

Around me will be piled the faithful,
who “passed away” religiously
smililng bright and hopeful,
arrayed in all eternity–
all just as dead as I will be.

I will not leave so peacefully, 
nor am I content to think 
there’s some unending destiny 
beyond the stars behind a veil
that no one can detect or see,
but I wonder what will be left of me
when my life rots away in the garbage heap.

I’ve heard them say they must believe 
that death is not finality
that there’s something more beyond the grave.
I don’t trust anybody’s words to save
or grant eternal life to me.
My own words are the only way
I’ll live beyond mortality. 

Breaking the Sound of Silence

sound-of-silence

I studied “The Sound of Silence” with my students
on the very first day of my teaching career.
I thought about how I wanted them to break the silence,
and share the “songs” they’ve been writing with the world.
We talked about worshiping the “neon gods” in our lives;
about how we have the power to turn away
and make something of ourselves.
We decided that our expressions may not find themselves
being studied in classrooms or housed in books –
“subway walls” and “tenement halls”
may always be the proper venues for our thoughts –
and yet we are all “prophets,”
whose experiences, ideas, and lives are valuable,
are full of meaning;
We decided we all compose songs, but few of us ever dare
disturb the silence and face our fears of failure.

And I thought about the silence that stifles me sometimes,
the dark, endless silence that’s covered
with those heavy, abstract words
that embody the fears that so often quiet me:
rejection, doubt, fear, insecurity…
I thought about the silence in which I shroud myself,
that sometimes so completely covers me
that wonder if I may have lost all hope
of untangling myself from its clutches.

We thought and talked,
first at a whisper,
unsure if we could speak at all,
then louder and louder –
and with more conviction
as our ideas were praised
and echoed in the wells of silence –
then louder still, and more confidently
until we became a chorus of bright voices
each singing our own melody in unison and
drowning out the sound
of silence.

 


 

I am excited to announce that I began my career as an English Teacher on Monday! I am so excited to me working with the students at Veiwmont High School in Bountiful, Utah. I am teaching 11th grade, 11th grade honors, and creative writing! Jumping into my first year between terms has been challenging so far. I was hired last week, and I set foot in my classroom for the very first time on Monday, so you can imagine how stressed I’ve been, scrambling around trying to get everything ready.

One of my objectives for this first week (besides making it out alive on the other side) was to help my students begin to  understand how literature and creative writing can positively affect their lives. As I thought about how to teach this concept, my mind was drawn to the Disturbed cover of Simon and Garfunkel’s “The Sound of Silence.” There are many possible interpretations of this song, but I believe one of the best is simply that we all have a story to share. To me, this song is about breaking the silence that we’ve become accustomed to. It’s about not being afraid to stand up and speak out about what’s important to us.

I hope that they are beginning to understand, but if not, this idea is so fundamental to who I am that  they’ll be getting plenty more of it throughout the remainder of the school year .

This is what I did it all for. This is what is was all about!

I am so excited to be a teacher!

“Fifi”

Holding the sheep calms her,
makes her feel safe,
maybe because she thinks
about the sheep instead of herself—
or because it absorbs her little tears—
or maybe just because she believes in it.
Whatever the reason,
holding the sheep is always enough,
which makes me wonder what was happening
last night in her dreams
that made it necessary for the sheep
to hold her instead.

     “Fifi” was my daughter’s best attempt to say “sheep” when she was very young and received the stuffed animal from her aunt. Although she’s two now (and can say “sheep” without difficulty), the name has stuck, and the sheep is as much a part of her daily routine as her meals and time on the swing set. She drags it everywhere, and she never sleeps without it. This morning I asked my daughter what she had dreamed about, and she said “I dream Fifi hold me!”  

     When she’s old enough to understand, I’ll have to thank my her for all the poem fodder.